Ive Got No One to Invite to Dinner (2023/2024)
A tablescape of functional/non functional ceramic sculptures, inspired by the delicacy and decoration of vintage cakes and themes of communal gathering, such as nostalgic family gatherings and events.This series of ceramic vessels centers on the universal need for belonging, everyday ritual, and the intimacy of domestic spaces. Inspired by the delicacy and decorations of vintage cakes, these vessels blur boundaries between function and sculpture, naivety and intention. Through nostalgic forms and familiar motifs, the collection explores how everyday material culture preserves memory and facilitates connection. These sculptures have various functions, with many including candelabras & vase options and others being, fruit bowls, cake covers and a teapot.
Mirrors (2023)
This artwork serves as both a self-portrait and a tactile exploration of my relationship with craft. Comprised of 17 hand-built ceramic frames—each slip-cast in varying stoneware types and treated with diverse stains—the installation reflects my multidisciplinary practice across ceramics and textiles. The frames are more than vessels; they are sculptural boundaries that hold fragments of memory and identity.Within each frame lies a “mini quilt,” meticulously patchworked from screen-printed fabric. These textile compositions speak to the labor, repetition, and care intrinsic to both quilting and printmaking. Each quilt is unique—bearing geometric motifs, lines, and textures that echo both personal narratives and broader cultural craft traditions.
Army of Pots (2022)
A series of twenty seven hand built pots, decorated with black underglaze and made from various stonewares. These vessels are adorned with early 2000s tattoo imagery, traditional quilt patterns and suggestions of rural life. This collection of work breaks down the artist's core influences and analyzes the dark underbelly of everyday domestic life
